When it comes to getting paid for your music, understanding the payment schedule of your chosen distributor is essential. Two of the most popular music distribution platforms, DistroKid and CDBaby, offer distinct payment structures. In this article, we will delve into when DistroKid pays its artists and how it compares to CDBaby. Understanding these differences can help you make an informed decision about what's best for your music career.
DistroKid is known for its simplicity and efficiency. Artists using DistroKid typically receive their earnings monthly. Payments are usually processed around the 15th of each month, covering the streams and sales from previous months. For example, earnings from January would often be paid out in March. The exact payment date can vary based on the payment method chosen, but DistroKid aims to make payments as prompt as possible.
To receive payments, artists need to set up a PayPal account or opt for direct bank deposits, depending on their country. It’s important to note that DistroKid charges a flat annual fee for unlimited uploads, but they do not take a commission from the artist's royalties, which is a significant benefit for many musicians.
CDBaby, on the other hand, has a different payment model. Unlike DistroKid, CDBaby offers two pricing tiers, both involving an initial setup fee per release. CDBaby doesn't charge an annual fee but does take a percentage of your earnings. Payments are made weekly, typically on Mondays, and artists can choose to receive their earnings through PayPal, direct deposit, or paper check.
One of the perks of using CDBaby is that it also handles physical sales, which can be an added bonus for those who still sell CDs and vinyl. This means that artists can get royalties from both digital and physical distribution.
When comparing the payment schedules, it’s clear that both DistroKid and CDBaby have their unique advantages. DistroKid’s monthly payments are straightforward and appeal to artists who prefer a predictable and consistent payment schedule. Moreover, DistroKid's no-commission policy means that artists keep 100% of their earnings after the annual fee.
CDBaby’s weekly payments offer more frequent access to your earnings, which can be appealing if you need quicker cash flow. Additionally, the ability to sell physical products through CDBaby can attract artists who have a more diverse distribution strategy.
When deciding between DistroKid and CDBaby, it’s crucial to consider your specific needs as an artist. If you prefer low upfront costs and keeping all your earnings, DistroKid might be the better option. On the other hand, if you value having your physical sales managed and are okay with paying a commission, CDBaby could be more suitable.
Both platforms offer vast distribution networks, getting your music on major streaming services and retail stores. However, it’s also worth exploring other aspects such as customer service, ease of use, and additional services offered by each platform before making a final decision.
As you navigate the world of music distribution, another noteworthy option to consider is SoundOn. SoundOn offers an all-in-one platform for marketing and distribution, allowing artists to build their careers and find new fans through TikTok, exclusive partners like CapCut, and other digital streaming platforms worldwide. Registering as a SoundOn artist can provide you with comprehensive support to achieve greater reach and success in the music industry.
Understanding the payment schedules of music distribution platforms like DistroKid and CDBaby is fundamental for managing your finances as an artist. While DistroKid offers a straightforward, commission-free payment structure with monthly payouts, CDBaby provides more frequent weekly payments and handles both digital and physical sales. Ultimately, choosing the right platform will depend on your financial needs, distribution preferences, and overall career strategy.
Remember to also explore other platforms like SoundOn, which offers unique features and partnerships to enhance your music distribution experience.